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Vacheron and Constantin's origins can be honestly traced back to 1755, when the 24 year old Jean-Marc Vacheron joined the ranks of the Cabinotier of Geneva. Cultured, well read, and a respected member of the intelligentsia of the time, young Jean-Marc quickly established a reputation for producing timepieces of the highest grade. Vacheron's reputation extended to the Royal Courts of Europe, where their creations impressed even the Court Timekeeper and Royal Watchmakers.
One of the great seeming contradictions of Haute Horlogerie is the worship of hand craftsmanship, the mystique of the human touch, in an endeavour that is often better served by mechanized production. In an ironic way, this same paradox partially accounts for the renaissance of the mechanical watch in the last two decades of the 20th century. In an age of virtual reality and digital paradigms, the sensual image of human hands polishing and adjusting a complicated movement, hearing the soft tic-tic-tic of the escapement, precise and reliable beyond all other complex mechanical systems, is somehow soothing and lends some degree of comfort to humans that are, after all, inherently part of the analog, physical world.
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